繪畫藝術學院年展獎
  首屆繪畫藝術學院年展評審委員會從參展作者里評選出10名獲獎作者，獎金由廣州市大藝文化藝術基金會獨家贊助。
  金獎1名，人民幣30000元；銀獎1名，人民幣20000元；銅獎8名，人民幣10000元。
  獎金額為稅后額，不包含任何限制性附加條件，金獎和銀獎的作者還可以獲得盒子美術館個人駐留及駐留展權利一次，保留2年。
  年展評審委員會
  首屆繪畫藝術學院年展評審委員會評委：陳海濤，崔燦燦，胡斌，何桂彥，施勇，邵舒，徐文，俞可。
  陳海濤，1996年畢業(yè)于魯迅美術學院。自2005年起，創(chuàng)辦站臺中國當代藝術機構，在近20年中深耕中國本土藝術，已策劃并發(fā)起數(shù)百場展覽。伴隨著中國當代藝術的歷程，推出了諸多具備代表性與國際影響力的藝術家，不斷發(fā)掘并梳理新的價值與方向。
  Chen Haitao graduated from Lu Xun Academy of Fine Arts in 1996.Since 2005,we have established the Platform China Contemporary Art Organization and have been deeply cultivating local Chinese art for nearly 20 years.We have planned and launched hundreds of exhibitions.Along with the process of contemporary Chinese art,many representative and internationally influential artists have been introduced,constantly exploring and sorting out new values and directions.
  崔燦燦，策展人、寫作者。從2012年開始策劃160多場展覽和活動，代表的群展包括夜走黑橋、鄉(xiāng)村洗剪吹、不在圖像中行動、六環(huán)比五環(huán)多一環(huán)、十夜、萬丈高樓平地起、2015-2019過年特別項目系列、策展課、九層塔、新一代的工作方法、小城之春、斷裂的一代、游牧在南方等。
  Cui Cancan,curator and writer.Starting from 2012,more than 160 exhibitions and events have been planned,representing group exhibitions such as walking on the Black Bridge at night,washing,cutting and blowing in the countryside,not acting in images,having one more ring than the Fifth Ring Road in the Sixth Ring Road,ten nights,towering buildings and starting from the ground,the 2015-2019 Chinese New Year special project series,curation classes,nine story towers,new generation work methods,the spring of the small town,the broken generation,and nomads in the south.
  胡斌，出生于湖南長沙。本科、碩士畢業(yè)于廣州美術學院美術史系，博士畢業(yè)于中國藝術研究院。曾在廣東美術館編輯部、廣州三年展辦公室、廣州美術學院美術館工作，并任學院美術館常務副館長，現(xiàn)為廣州美術學院藝術與人文學院院長、教授。專注的研究方向有中國革命美術史、中國現(xiàn)當代藝術展覽史，長期從事現(xiàn)當代藝術的批評與策展。展覽曾獲得文化和旅游部全國美術館館藏精品展出季優(yōu)秀項目、全國美術館優(yōu)秀展覽項目。著有《視覺的改造：20世紀中國美術的切面解讀》《何以代表“中國”：中國在世博會上的展示與國家形象的呈現(xiàn)》等。
  Hu Bin,born in Changsha,Hunan.I graduated with a bachelor's and master's degree from the Department of Art History at Guangzhou Academy of Fine Arts,and a doctoral degree from the China Academy of Art.I have worked in the editorial department of Guangdong Art Museum,Guangzhou Triennial Exhibition Office,and Guangzhou Academy of Fine Arts Art Museum,and served as the executive vice director of the academy's art museum.Currently,I am the dean and professor of the School of Art and Humanities at Guangzhou Academy of Fine Arts.My research focuses on the history of Chinese revolutionary art and the exhibition history of Chinese modern and contemporary art,and I have been engaged in criticism and curation of modern and contemporary art for a long time.The exhibition has won the Excellent Project of the National Art Museum Collection Exhibition Season and the Excellent Exhibition Project of the National Art Museum by the Ministry of Culture and Tourism.He has authored works such as"Visual Transformation:A Perspective Interpretation of 20th Century Chinese Art"and"How to Represent"China":China's Exhibition at the World Expo and the Presentation of National Image".
  何桂彥，四川美院藝術人文學院教授、博士研究生導師、四川美院美術館館長，四川美院當代藝術研究所所長。中國批評家年會學術委員、中國策展委員會委員、中國雕塑學會理事、中國油畫學會理事；重慶市策展與藝術理論委員會主任、重慶雕塑學會副會長、重慶文藝評論家協(xié)會副會長。四川美院美術學國家一流學科學術帶頭人，藝術學理論學科帶頭人。研究領域有歐美現(xiàn)當代藝術、藝術批評與展覽策劃、中國當代藝術思潮等。個人國家級項目3項，重慶市級科研項目2項。曾在國內學術期刊《文藝研究》、《美術研究》、《藝術當代》等發(fā)表批評文章70余篇，共50萬字。2004年以來，曾策劃數(shù)十個當代藝術展，如：“1976-2006鄉(xiāng)土現(xiàn)代性到都市烏托邦：四川畫派學術回顧展”、“清晰的地平線——1978年以來的中國當代雕塑展”、“社會風景”——當代藝術邀請展、“當代雕塑的方位”——2013年大同國際雕塑雙年展（主題展策展人）、“日常之名”——中國當代藝術中的日常話語與觀念生成、“神話、敘事、想象——當代藝術邀請展”、“形式烏托邦”——中國當代藝術中的形式表達與文化觀念、“人民·歷史”——20世紀中國美術研究展（聯(lián)合策展）、“社會劇場”——第四屆重慶青年美術雙年展、“共同的神話”——第二屆安仁雙年展（聯(lián)合策劃）、“與時代同行——四川美院建校80周年展”（聯(lián)合策劃）、成都雙年展（聯(lián)合策劃）、“星漢燦爛——現(xiàn)代美術在重慶（1937-1949）”等。
  He Guiyan is a professor and doctoral supervisor at the School of Arts and Humanities of Sichuan Academy of Fine Arts,director of the Sichuan Academy of Fine Arts Art Museum,and director of the Contemporary Art Research Institute of Sichuan Academy of Fine Arts.Academic member of the Chinese Critics Annual Conference,member of the Chinese Curatorial Committee,director of the Chinese Sculpture Society,and director of the Chinese Oil Painting Society;Director of Chongqing Curatorial and Art Theory Committee,Vice President of Chongqing Sculpture Society,and Vice President of Chongqing Literary Critics Association.The academic leader of the national first-class discipline of Fine Arts at Sichuan Academy of Fine Arts,and the leader of the discipline of Art Theory.
  Research areas include European and American contemporary art,art criticism and exhibition planning,and contemporary Chinese art trends.3 individual national level projects and 2 Chongqing municipal level scientific research projects.I have published more than 70 critical articles,totaling 500000 words,in domestic academic journals such as Literature and Art Research,Art Research,and Contemporary Art.Since 2004,he has planned dozens of contemporary art exhibitions,such as"1976-2006 Rural Modernity to Urban Utopia:Sichuan School of Painting Academic Review Exhibition","Clear Horizon-Contemporary Chinese Sculpture Exhibition Since 1978","Social Landscape"-Contemporary Art Invitation Exhibition,"The Direction of Contemporary Sculpture"-2013 Datong International Sculpture Biennial Exhibition(Theme Exhibition Curator)"The Name of Everyday"-The Generation of Daily Words and Concepts in Contemporary Chinese Art,"Myth,Narration,Imagination-Contemporary Art Invitation Exhibition","Form Utopia"-The Form Expression and Cultural Concepts in Contemporary Chinese Art,"People·History"-20th Century China Art Research Exhibition(Co curated),"Social Theater"-The Fourth Chongqing Youth Art Biennale"Common Myth"-Second Anren Biennale(co planned),"Walking with the Times-80th Anniversary Exhibition of Sichuan Academy of Fine Arts"(co planned),Chengdu Biennale(co planned),"Splendid Star Han-Modern Art in Chongqing(1937-1949)",etc.
  施勇，1963年出生于上海。1984年畢業(yè)于上海輕工業(yè)高等專科學校美術系?，F(xiàn)在工作和生活在上海。施勇作為中國較早從事裝置與影像媒介的代表人物之一。自1993年起，他的作品就在國內外被廣泛展出。早期創(chuàng)作致力于揭示現(xiàn)實內部的意識形態(tài)；九十年代開始關注改革開放神話下的當代上海的轉型概念，繼而引向更宏觀的全球化，消費文化等層面。2006年，從作品“2007沒有卡塞爾文獻展”始，施勇將質疑的目光落實于藝術界本身，思考如何通過“擱置”創(chuàng)作來予以抵抗。2015年個展“讓所有的可能都在內部以美好的形式解決”，既是之前創(chuàng)作的延續(xù)，又傳達了其未來意圖在表面“抽象”之下展開對于“控制”的反思與實踐。
  Shi Yong(born 1963)is a representative figure of contemporary Chinese artists who first started working with installation and video media.Since 1993,his works have been widely exhibited both in China and abroad.His artworks cover a wide range of mediums including performance,video,and installation.Shi Yong’s earliest artistic practices focused on revealing the subtlety of our reality and the inherent tension of the"system".At the end of the 1990s,Shi began focusing on the idea of Shanghai’s transformations under the Chinese economic reform,which contributed to a discussion of globalization and consumerism.Since 2006,with the piece"Sorry,There will be no Documenta in 2007",he turned his attention to the art world that he's been involved in,pondering how to provide a more rational perspective through his creative works.Shi Yong’s 2015 solo exhibition"Let All Potential Be Internally Resolved Using Beautiful Form"continues his art practice,disclosing his intention to expand the reflection and practice of“control”under the seemingly“abstract”future.
  邵舒，“和”美術館執(zhí)行院長，2011-2016年，工作于上海龍美術館浦東館、西岸館、重慶館。主要負責展覽策劃與執(zhí)行，日常運營事務管理及新館建設籌備。2016年，加入廣東和美術館，任執(zhí)行館長。在籌備與建設期間，協(xié)同安藤忠雄事務所，主持工程建設項目，進行預算管理、結構及專業(yè)功能優(yōu)化等工作。自2020年和美術館正式向公眾開放起，主要從事組織機構運營策略，收藏項目研究及展覽策劃工作。主要參與及策劃的項目有：《世間風物——和美術館開館大展》2020；《超越：安藤忠雄藝術人生》2021；《貝納維內：單義游戲》2021；《換了人間：從苦瓜詩意到山河新貌——和美術館藏中國近現(xiàn)代作品展》2021；《On/OFF：回到未來》2022；《盡精微致廣大——徐悲鴻臨摹倫勃朗〈婦人倚窗像〉修復研究展》2022；《倪有魚：穹頂與刻度》；《肖像：張恩利個展》2023；《羅尼霍恩：亦夢非夢》2023，《南方故事》2023。
  From 2011 to 2016,Shaw worked for Long Museum in Shanghai,engaged in the operation and management,as well as the curation and implementation of art exhibitions.
  In 2016,he joined He Art Museum as executive director,supervising the management and inauguration of the museum,working with architect Tadao Ando to oversee the architectural project,from budgeting control,and construction engineering,to space optimization.
  Since He Art Museum opened in 2020,Shaw has continued to develop the strategic vision for the institution,research and collection,and curatorial programs.
  He curated or co-curated over twenty exhibitions at the museum including:From the Mundane World(2020),Beyond:Tadao Ando and Art(2021),Bernar Venet:Another Language for Painting(2021),Transformation:From Poetic to Realistic(2021),ON|OFF:Carousel of Progress(2022),Woman by the Window of Xu Beihong:A Conservation Exhibition(2022),Ni Youyu:Dome and Scale(2022),Off the Beaten Track:A Modern Chinese Collection Exhibition,Zhang Enli:Portrait(2023),Roni Horn:A dream dreamt in a dreaming world is not really a dream...but a dream not dreamt is(2023),Atmospheric Column by Olafur Eliasson,A 3rd Anniversary Special Project(2023),Tales of the South(2023)etc.
  徐文，畫廊主理人。1985年出生于天津，多年來，他一直在研究全球當代藝術市場，在許多大型機構擔任講師，并在國際許多重要的藝術博覽會、雙年展和著名藝術家博覽會嶄露頭角。
  Xu Wen Kenna,director of KennaXu Gallery.Born in Tianjin in 1985,he has been studying the global contemporary art market for many years,serving as a lecturer in many large institutions and prominently featured in many important international art studios,biennales and famous artists.
  俞可，現(xiàn)為四川美術學院教授，中國美術家協(xié)會策展委員會委員。
  Yu Ke is currently a professor at Sichuan Academy of Fine Arts and a member of the Curatorial Committee of the Chinese Artists Association.
  繪畫藝術學院年展將通過開放性、多維度、國際化的展覽模式，將廣州美術學院繪畫藝術學院培養(yǎng)的青年藝術家整體推向社會，實現(xiàn)藝術知識生產(chǎn)與經(jīng)濟社會發(fā)展的互聯(lián)互通，促進學院“產(chǎn)學研用”的融合創(chuàng)新，推動大灣區(qū)藝術生態(tài)持續(xù)健康的高質量發(fā)展。

  金獎三萬！首屆廣州美術學院繪畫藝術學院年展公告

https://mp.weixin.qq.com/s/kfn9eeRZ_UFZvpIIHaacoQ

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